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After a creak of the door
A thousand years of silence
Slow fluid of Song Ci
Stretches long and unbroken
From the untouchable tender of forefathers
To the vacuum in my chest
Vacant for a thousand years
Now brimming with sorrow
Who dare say
That sorrow is not a style of writing
Broken bridge, dead water, thatched cottage,
Aren’t they desolate?
Ancient lane,west wind, lean horse,
Aren’t they gloomy?
Yellow leaves, setting sun, parting with a beloved singing girl,
Isn’t it heart-breaking?
Drizzly rain, faded blossom, drinking some solitary cold wine,
Isn’t it grief-afflicting?
Song Ci is sorrow
Sorrow Song Ci
Who could deny
That sorrow is a style of life
when dusk fades into eve
Tender is the night
Sweet is my lady
Even if she’s so sweet
That the moon hides her face and
The flowers blush for shame at the sight of
Her
She’s not, not
My love
My love died ten years ago
Her tomb ten thousand miles away
Nowhere to unbosom my grief
Dust is my face
Frost are my sideburns
How much wind and rain can a man endure?
Is the deep on his forehead carved by wind
Or burned by the sun?
How thick
is the callus around his heart
lying beside my sweet lady
all I dream is
moonlight shadow
low pine grove
sorrow is a style
once you read into its lines
you melt
you squeeze
with millions of souls
lonely together.
P.S. The touching story of Sushi is alluded here. The death of his first wife Wangfu reduced him into the most heart-broken man. Though his second wife, a first cousin of Wangfu, is more beautiful than his ex, she is unfortunately not as considerate or as virtuous. With agony intensifying year in and year out, Sushi’s love for his ex-wife never changed. After ten years of her death, he wrote one of the most famous elegy.